Camera technique
BMD Micro Studio Camera 4K
Miniaturized Blackmagic camera: MFT lens mount, Super 16 sensor, 4K/60, 6G-SDI, HDMI, PTZ control.
The Blackmagic Micro Studio Camera 4K is an incredibly tiny Ultra HD studio camera that's perfect for live production. You get a camera with full Ultra HD resolution that can be used in HD and Ultra HD video formats and can be fully controlled from the mixer via the SDI control protocol. The Micro Studio Camera 4K has powerful features such as built-in color correction, talkback, tally display, PTZ control output, built-in microphones, backup battery, a customizable MFT lens mount and a B4 lens control output. This means that the Micro Studio Camera 4K is a true studio camera that is significantly better quality than the largest and most expensive studio cameras in use today.
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Key features:
- HD and Ultra HD live studio camera
- Remote controlled via SDI
- 6G-SDI
- Built-in color corrector
- Talkback
- Tally
- PTZ control
- MFT lens mount and B4 lens control output
- Fully controllable from ATEM switchers.
Blackmagic Design Smart Videohub 40x40
A 40x40 multi-format router with 80 multirate-capable 6G SDI ports.
The Blackmagic Design Smart Videohub 40x40 is a multi-format router for SD, HD, and Ultra HD SDI with built-in video monitoring and rotary controls for visual routing. This allows video sources to be routed in a snap by simply viewing the video image. The Smart Videohub 40 x 40 provides 80 multirate-capable 6G-SDI ports in two space-saving rack HEs.
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SDI video input: 40 x 10-Bit SD-SDI, HD-SDI and 6G-SDI.
SDI video output: 40 x 10-Bit SD-SDI, HD-SDI and 6G-SDI.
Reference input: Black Burst and Tri Level Sync for SD, HD and 4K.
Reference output:
Reference output with termination switching in case of loop-through.
Multi-rate support:
Automatic detection of SD, HD or 6G-SDI. Simultaneous routing of 4K, HD and SD video.
Updates:
USB 2.0 high-speed interface (480 Mb/s) or via Ethernet.
Control of the crossbar:
40 keys for local video hub control. 6 keys and scroll wheel to control LCD display or RJ45 Ethernet.
Crossbar configuration:
Via front panel LCD or via RJ45 Ethernet USB for firmware updates and IP address setting only.
RS-422-Router control:
1 input to control the crosspoint switching of the crossbar.
Reclocking:
All SDI outputs automatically switch between standard definition and high definition or 6G SDI video formats.
Standards:
SD format support:
625/25 PAL; 525/29,97 NTSC und 525/23,98 NTSC.
HD format support:
720p/50; 720p/59,94; 720p/60; 1080i/50; 1080i/59,94; 1080i/60; 1080PsF/23;98; 1080PsF/24; 1080PsF/25; 1080PsF/29,97; 1080PsF/30; 1080p/23;98; 1080p/24; 1080p/25; 1080p/29;97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60.
2K format support:
2048x1080p/23,98; 2048x1080p/24; 2048x1080p/25; 2048x1080PsF/23,98; 2048x1080PsF/24, 2048x1080PsF/25.
4K format support:
3840x2160p/23,98; 3840x2160p/24; 3840x2160p/25; 3840x2160p/29,97; 3840x2160p/30; 4096x2160/p24.
SDI compliance:
SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 310M, SMPTE 425M-A, SMPTE 425M-B, ITU-R BT.656 and ITU-R BT.601.
SDI video data:
SDI video inputs are switchable between standard definition and high definition formats, as well as 4K. SDI switches between 270 Mb/s standard definition SDI, 1.5 Gb/s HD-SDI, 3G-SDI, and 6G-SDI.
SDI-Video sampling frequency:
4:2:2 und 4:4:4.
SDI-Audio sampling frequency:
Standard television sampling rate of 48 kHz and 24 bit.
SDI-Color accuracy:
10-Bit 4:2:2 and 4:4:4.
SDI-Color space:
YUV or RGB.
Automatic SDI switching:
Automatic switching between SD-SDI, HD-SDI, 6G-SDI and DVB-ASI on all inputs, so that a different TV standard can run on each input.
Support for SDI metadata:
Additional content identification via Video Payload Identifier data according to SMPTE 352M.
Control software:
Crossbar operating software included free of charge for Windows™ and Mac OS X™.
Product Software Upgrade:
Via supplied updater application.
Monitors:
Integrated 5" LCD for video and menu settings.
Physical installation:
2 rack height units. Depth less than 15 cm (6 in.).
Power requirements, power failure protection:
Crossbar connections are maintained and immediately restored when power returns.
Power supply unit:
IEC power cable required. 2 x 90 - 240V AC inputs for full redundancy.
Physical specifications:
H x D x T: 482 mm x 88 mm x 160 mm
Blackmagic Camera URSA Broadcast G2
The URSA Broadcast G2 has an interchangeable lens mount for various systems (B4, EF, PL) with lenses specifically designed for the sensor. Modern Ultra HD or less expensive HD lenses can be attached to the lens mount. Since B4 lenses are parfocal, for example, the image is always razor sharp even when zooming. This means you don't need to constantly refocus while filming.
URSA broadcast cameras support the file formats commonly used for broadcast equipment and editing software. You can record ProRes 422 HQ and ProRes 422 as QuickTime files. The new Blackmagic URSA Broadcast G2 can even record in H.265.
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Features of Blackmagic URSA Broadcast G2
- Sensor for native 6K with 13 F-stops of dynamic range.
- Up to +36 dB ISO for excellent performance in extreme low light. Record directly to external media via USB-C port.
- Includes Blackmagic 5th generation color processing.
- With extremely high quality recording in Blackmagic RAW.Optional Focus and Zoom Demands to control lenses.
- Compatible with the new Blackmagic URSA Mini Recorder.
- Full version of DaVinci Resolve Studio for post-production included.
Blackmagic Web Presenter
Stream live to the whole world now! Blackmagic Web Presenter is the complete streaming solution. With the pro hardware streaming engine, you can stream live via Ethernet to YouTube, Facebook, Twitter and more. It's basically a broadcaster for a worldwide streaming audience. The USB ports act like a webcam and allow you to use computers and any streaming software, including Skype and Zoom.
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Connections | Standards |
SDI-Video inputs: 1 SDI-Video outputs: 1 Durchschleifausgang, 1 Monitoring-Ausgang. SDI-Rates: 1,5 G; 3 G; 6 G; 12 G. HDMI-Video outputs: 1 monitoring output. Webcam output: 1 USB-C to 2160p/60. Ethernet: Ethernet supports 10/100/1000BaseT for live streaming, software control and software updates. | HD video input standards: 720p/50; 720p/59,94; 720p/60 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60 1080PsF/23,98; 1080PsF/24; 1080PsF/25; 1080PsF/29,97; 1080PsF/30 1080i/50; 1080i/59,94; 1080i/60. Ultra HD standards for video inputs: 2160p/23,98; 2160p/24; 2160p/25; 2160p/29,97; 2160p/30; 2160p/50; 2160p/59,94; 2160p/60. Color space for video inputs:: REC. 601, Rec. 709, Rec. 2020. 3G SDI: Automatic detection of SMPTE Level A or B on SDI input. Video standards for SDI and HDMI monitoring outputs: 1080p/50; 1080p/59,94; 1080p/60. Streaming video standards: 720p/25; 720p/30; 720p/50; 720p/60 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60 2160p/23,98; 2160p/24; 2160p/25; 2160p/29,97; 2160p/30; 2160p/50; 2160p/59,94; 2160p/60. |
Streaming | Control unit |
Directstreaming: The Web Presenter 4K supports direct live streaming via Ethernet using Real Time Messaging Protocol (RTMP). Closed Captions: Web Presenter 4K supports embedding closed captions in your RTMP live stream in CEA-608 and CEA-708 standards. | Bedienpult bzw. -panel: Frontblende mit 2,2-Zoll-Farbdisplay für Videovorschau, Audiopegelmeter und Statusanzeige. Gerätesteuerung: Vorderer USB-C-Port oder Ethernet. |
Blackmagic ATEM Camera Control Panel
The ATEM Camera Control Panel is the optimized remote control of four different cameras from a single control panel. It can be used to control up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. With the Control Panel, a single user can control and adjust a whole range of technology parameters such as black level, gain, color balance, shutter speed and more.
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Connections | Characteristics |
Ethernet: 2 x 10/100/1000 BaseT with loop-through output for additional controls or computer. Software‑Updates: 1 USB-C for firmware updates. | LCD menu displays: 4 Camera number display:: Green = off air, red = on air. Setup: Setup of the white and black balance. 3-axis joysticks: 4 Preview buttons: 4 Iris control: Automatic aperture control that can be switched on and off, Exposure span control. Panel activation: Protects settings that have been made. |
Blackmagic Video Assist 7" 12G HDR
The Blackmagic Video Assist is a portable monitor, a professional recorder, a mobile scope display, and a fantastic viewfinder all in one! It also has higher quality recording codecs on board and adds a larger monitor to any SDI and HDMI camera. The 3G models support formats up to 1080p/60, the 12G HDR models additionally support up to 2160p/60, and the 12G HDR models have a brighter touchscreen for digital HDR filming and outdoor shooting in sunlight.
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Connections | Media |
SDI-Video-outputs: 1 SDI-Rates: 270 Mbit; 1,5 G; 3 G; 6 G; 12 G HDMI-2.0a-Video -inputs: 1 HDMI-2.0a-Video-outputs: 1 Analog audio inputs: 2 balanced mini-XLR inputs with phantom power. Analog audio outputs: 1 x 3.5 mm headphone jack Built-in speaker 1 mono Screen dimensions: 7 Zoll with 1920 x 1200 Pixeln. Screen brightness: 2500 Nit Screen color: P3-Colorspace. SDI-Audio inputs: 16 channels embedded in 12G-SDI. SDI-Audio outputs: 16 channels embedded in 12G-SDI. HDMI-Audio inputs: 8 Kanäle embedded in HDMI 2.0a. HDMI-Audio outputs: 8 Kanäle embedded in HDMI 2.0a. Remote control: 1 x 2.5 mm LANC socket for recording start/stop. SD-Interface: Dual SD-Sockets for UHS-II-Cards. Memory type: Removable SD cards with SDXC-UHS-II, SDXC-UHS-I and SDHC-UHS-I. Supports the following SD cards: DS, HS, SDR12, SDR25, DDR50 and SDR104. Computer interface: 1 Generation 1 USB Type C 3.1 for recording to external hard drives, as webcam output, for initial setup, software updates, and software control via Video Assist Utility. | Storage medium: 2 UHS-II SD cards for Ultra HD, compatible with regular SD for HD recording. Generation 1 USB Type C 3.1 for recording to external hard drives. Storage medium type: SD cards of the types SDXC UHS-II, SDXC UHS-I and SDHC UHS-I. |
SDI video standards | HDMI standards |
SD-Videonorms: 525i/59,94 NTSC; 625i/50 PAL. HD-Videonorms: 720p/50; 720p/59,94; 720p/60 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60 1080PsF/23,98; 1080PsF/24; 1080PsF/25; 1080PsF/29,97; 1080PsF/30 1080i/50; 1080i/59,94; 1080i/60. 2K-Videonorms: 2Kp/23,98 DCI; 2Kp/24 DCI; 2Kp/25 DCI 2KPsF/23,98 DCI; 2KPsF/24 DCI; 2KPsF/25 DCI. Ultra-HD-Videonorms: 2160p/23,98; 2160p/24; 2160p/25; 2160p/29,97; 2160p/30; 2160p/50; 2160p/59,94; 2160p/60. 4K-Videonorms: 4Kp/23,98 DCI; 4Kp/24 DCI; 4Kp/25 DCI. SDI-Compliance: SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 425M, SMPTE 2084. Support for SDI metadata:: HD RP188 Audio sampling frequency: Standard TV sampling frequency of 48 kHz and 24 bit. Video sampling frequency: 4:2:2 YUV Color accuracy: 10 Bit Color space: REC 601, REC 709, REC 2020. HDR-Assistance: HDR10, Hybrid Log Gamma Multirate-Assistance: SDI and HDMI switch between 270 Mbps, 1.5 Gbps, 3 Gbps, 6 Gbps and 12 Gbps. SDI RAW: Blackmagic RAW. | SD-Videonorms: 525i/59,94 NTSC; 625i/50 PAL. HD-Videonorms: 720p/50; 720p/59,94; 720p/60 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60 1080i/50; 1080i/59,94; 1080i/60. Ultra-HD-Videonorms: 2160p/23,98; 2160p/24; 2160p/25; 2160p/29,97; 2160p/30; 2160p/50; 2160p/59,94; 2160p/60. 4K-Videonorms: 4Kp/23,98 DCI; 4Kp/24 DCI; 4Kp/25 DCI. HDMI-Color accuracy: 10 Bit HDR-Assistance: HDR10, Hybrid Log Gamma. Copy protection: You cannot record copy-protected HDMI sources via the HDMI input. Always check copyright before recording or distributing content. |
Supported codecs | Control system |
Blackmagic RAW Constant Bitrate 3:1 Blackmagic RAW Constant Bitrate 5:1 Blackmagic RAW Constant Bitrate 8:1 Blackmagic RAW Constant Bitrate 12:1 Blackmagic RAW Constant Quality Q0 Blackmagic RAW Constant Quality Q5 Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT, Apple ProRes 422 Proxy, DNxHR HQX, DNxHR SQ, DNxHR LB, DNxHR HQX MXF. DNxHR SQ MXF, DNxHR LB MXF. | Recorder control: Integrated capacitive LCD touch screen with onscreen control of setting and navigation menus. External control: LANC, SDI and HDMI start/stop, running timecode. |
Blackmagic RAW | Scopes |
Unterstützte Kameras: Canon EOS C300 Mark II, FUJIFILM GFX100, FUJIFILM GFX100S, Nikon Z 6, Nikon Z 7, Nikon Z 6II, Nikon Z 7II, Panasonic AU-EVA1, Panasonic LUMIX GH5S, Panasonic LUMIX BGH1, Panasonic LUMIX BS1H, Panasonic LUMIX S1, Panasonic LUMIX S1H, Panasonic LUMIX S5 u. Sigma fp. | Scopes: Waveform, RGB parade, vectorscope, histogram. Display modes: Scopes with picture-in-picture or as a faded-in overlay with customizable opacity. Waveform and parade with normative and HDR grids. |
Perfect for digital cinema, broadcast monitoring and live production.
Blackmagic Video Assist is a multi-talented device that can be used for countless functions. It complements your camera rig as a large viewfinder with novel capture codecs, focus assist and 3D LUTs. As a compact oscilloscope, Video Assist can be used to analyze equipment and display video levels during broadcasts and live productions.
Blackmagic ATEM Television Studio HD
Connections | Standards |
Total video inputs: 8 Outputs total: 8 Total Aux Outputs: 1 SDI-Rates: 270 MBit, 1,5 G, 3G. Total audio inputs: 2 XLR. Total audio outputs: None, only embedded audio. Timecode-Anschlüsse: None. SDI-Video inputs: 4 x 10 bit SD/HD switchable, 2 embedded audio channels. HDMI-Video inputs: 4 HDMI type A, 10 bit SD/HD switchable, 2 embedded audio channels. Reference input: Tri-Sync or Black Burst. Video inputs Re-Sync: On all 8 inputs. SDI-Program outputs: 5 x 10 bit SD/HD switchable. SDI-Audio outputs: 2 channels embedded in SDI output. Number of Multi Views:: 1 SDI multiview outputs: 1 HDMI multiview outputs: 1 | SD-Videonorms: 525i/59,94 NTSC 4:3 oder 16:9, 625i/50 PAL 4:3 oder 16:9. HD-Videonorms: 720p/50; 720p/59,94; 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/50;1080p/59,94; 1080i/50; 1080i/59,94. SDI-Conformity: SMPTE 259M, 292M und 424M. Video sampling frequency: 4:2:2 10 Bit. Color accuracy: 4:2:2 10 Bit. Color space: 4:2:2 YUV. HDMI input resolutions for computers:: 720 x 480i 59,94 Hz; 720 x 576i 50 Hz; 1280 x 720p 59,94 Hz 50 Hz und 1920 x 1080p 23,98; 24; 25; 29,97; 30; 50; 59,94 und 1920 x1080i 50 und 59,94 Hz 60 Hz. Color space conversion: Hardware-based in real time. Processing delay: 6 lines. Audio Mixer: 10 inputs x 2 channel mixer. Audio-follow-video switchable on or off. Level and tone control. Main gain control & level control of headphone output with separate mix of program, talkback and sidetone. |
Features | Media Player |
Upstream-Keyer: 1 Downstream-Keyer: 2 Chroma-Keyer: 1 Linear/Luma-Keyer: 3 Talkback support: Built-in & usable with aviation headsets. n-1-support: Yes, on 4 camera PGM outputs. Transition Keyer (Stinger/DVE): Nur DVE. Total number of levels: 6 Sample generators: 2 Color generators: 2 DVE with 3D borders and shadows cast:: 1 Interface: Screen resolution of at least 1366 x 768. Number of windows: 1 x 10 Routable windows: 8 routable and 2 fixed for program and preview. Tally: Red light for program and green light for preview display. Tally-Output: Added via Ethernet connection to Blackmagic Design GPI and Tally Interface. (not included) Window Source Statement:: yes | Media Player: 2 with non-volatile data memory. Channels: Fill and Key for each media player. Media Pool capacity for still images: 20 with fill and key. Media Pool Still Image Formats: PNG, TGA, BMP, GIF, JPEG und TIFF. |
Multi View Monitoring |
Multi View Monitoring: 1 x 10 views. Multi View Videonorm: HD |
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Blackmagic ATEM Television
Studio HD
The ATEM Television Studio HD is the first live production mixer that is ideal for both broadcasters and AV users. It features 4 SDI and 4 HDMI inputs to which up to 8 sources can be connected with aspect ratios up to 1080p60. In addition, the Television Studio HD has broadcast capabilities and Re-Sync on all inputs for clean editing of inputs. This allows both professional and consumer cameras to be integrated.
Blackmagic ATEM Television Studio Pro 4K
The ATEM Television Studio Pro 4K is the first live production mixing console designed specifically for broadcasters and AV professionals. With eight standalone 12G-SDI inputs, the ATEM Television Studio Pro 4K handles all popular HD and Ultra HD formats up to 2160p/60, and each input is equipped with resync and a full low-latency norm converter. So incoming video signals are automatically converted to the mixer's video format.
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Connections | Norms |
Total video inputs: 8 Total video outputs: 12 Total Aux Outputs:: 1 SDI‑Rates: 1,5 G, 3 G, 6 G, 12 G Total audio inputs: 2 XLR, 1 for microphones. Total audio outputs: 1 for headphones. SDI‑Video inputs: 8 between 10-bit HD/UHD switchable inputs with 2 channels of embedded audio. Reference inputs: For Tri-Sync or Black Burst. Video inputs with resync: On all 8 inputs. Frame rate and format converter: On all 8 inputs. SDI‑Program outputs: 9 ports for 10-bit HD/UHD, switchable. SDI‑Audio outputs: 2 channels embedded in the SDI output. Number of Multi Views: 1 SDI multiview outputs: 1 HDMI multiview output: 1 | Videonorms 720p/50; 720p/59,94 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/50; 1080p/59,94 1080i/50; 1080i/59,94. Ultra-HD Videonorms: 2160p/23,98; 2160p/24; 2160p/25; 2160p/29,97; 2160p/50; 2160p/59,94. Conformity: 292M und 424M, 2081, 2082. Videoabtastfrequenz: 4:2:2 10 Bit Color accuracy: 4:2:2 10 Bit Color space: 4:2:2 YUV HDMI input resolutions for Computer: 720p/50; 720p/59,94 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97;1080p/30; 1080p/50; 1080p/59,94; 1080p/60 1080i/50; 1080i/59,94; 2160p/23,98; 2160p/24; 2160p/25; 2160p/29,97; 2160p/30; 2160p/50; 2160p/59,94; 2160p60. Processing delay: 6 lines. Audio mixer: 12 inputs x 2 channel mixer. Channel-by-channel preset for audio-follow-video on or off and separate gain control for each channel. Level and peak level metering. Plus new Fairlight audio features: Compressor, gate, limiter, 6-band parametric EQ. Delay line and stereo synthesizer on XLR inputs only. Main gain control with level control of headphone output and separate mix of program, talkback and sidetone. |
Media Player | Features |
Media Player: 2 with non-volatile data memory. Media Pool capacity for still images: 20 with fill and key. Media Pool Still Image Formats: PNG, TGA, BMP, GIF, JPEG und TIFF. Channels: Fill and Key for each media player. Media Pool capacity for clips: 2 with Fill and Key Split memory. Media Pool clip file format: TGA‑Sequenz Media Player clip length in 720 HD: 1440 Frames Media Player clip length in 1080 HD: 360 Frames Media Player Clip length in Ultra HD: 90 Frames Media Pool audio file formats: WAV, MP3 und AIFF. | Upstream‑Keyer: 1 for chroma, linear and luma keys. Downstream‑Keyer: 2 Chroma‑Keyer: 1 Linear/Luma‑Keyer: 3 Talkback‑Support: Built-in; usable with aviation headsets. n-1‑Support: Yes, on 8 camera PGM outputs. Keyer (Stinger/DVE): Stinger und DVE. Total number of levels: 5 Sample generators: 2 DVE with 3D borders and shadowing: 1 Interface: Screen resolution of at least 1366 x 768. Number of windows: 1 x 10 Routable windows: 8 routable and 2 fixed for program and preview. Tally: Red light for program and green light for preview display. Tally output: Embedded in SDI. Added via Ethernet connection to Blackmagic Design GPI and Tally Interface (not included). Window Source Statement: Yes |
Multi View Monitoring |
Multiview‑Monitoring: 1 x 10 views. Multiview‑Videonorms: HD and Ultra HD. |
Blackmagic SmartScope Duo 4K
The SmartScope Duo 4K has built-in waveform monitoring for image quality analysis that goes beyond just viewing the image. It features seven of the most common scopes used in broadcast and post-production houses. Scope displays include waveform, vectorscope, RGB parade, YUV parade, histogram, and audio phases and levels. It is also possible to simply display the video view. This takes the guesswork out of video and audio levels and allows the SmartScope Duo 4K to monitor them accurately.
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Connections | Norms |
SDI video inputs: Automatically switches between SD, HD and 6G SDI signals. Reclocked loop-through output. SDI-Video outputs: 1 x 10 bit looped through SD/HD and 6G-SDI, switchable. SDI-Audio inputs: 16 channels embedded in SD, HD and UHD. SDI-Audio outputs: 16 channels embedded in SD, HD and UHD. Multi-rate support: Standard Definition SDI, High Definition SDI and 3G SDI. Tally: 9-pin SUB-D connector. | Supported SD formats: 525i/29,97 NTSC, 625i/25 PAL. Supported HD-formats: 720p/50; 59,94; 60 1080p/23,98; 24; 25; 29,97; 30; 50; 59,94, 60 1080PsF/23,98; 24; 25; 29,97; 30 1080i/50, 59,94; 60. Supported 2K formats: 2K DCI 23,98p; 2K DCI 24p; 2K DCI 25p 2K DCI 23,98/PsF; 2K DCI 24/PsF; 2K DCI 25/PsF. Supported Ultra HD formats: 2160p/23,98; 24; 25; 29,97; 30 SDI-Compatibility: SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M Level B and SMPTE 425M. Audio frequency range: Television sampling frequency of 48 kHz. Video sampling frequency: 4:2:2 and 4:4:4. Color accuracy: 8-Bit Color space: YUV and RGB. Computer-Interface: USB 2.0 for software updates and Ethernet for configuration. Color space conversion: Takes place hardware-based in real time. |
Scopes |
Luminance waveform, vectorscope, RGB parade, YUV parade, histogram, audio phases and levels. |
Blackmagic ATEM Mini Pro
Connections | Audio |
Total video inputs: 4 Total video outputs: 2 Total Aux Outputs: 1 Total audio inputs: 2 x 3.5mm stereo mini jacks 2 embedded audio channels. HDMI video inputs: 4 HDMI type A; 10-bit HD, switchable. Video inputs with resync: On all 4 HDMI inputs. Frame rate and format converter: On all 4 HDMI inputs. HDMI program outputs: 1 Ethernet: Ethernet supports 10/100/1000 BaseT for live streaming, software control, software updates and to connect an operator panel directly or via a network connection. Computer interface: 1 USB port type C 3.1 generation 1 for recording to external hard disks as well as for webcam output, software control, software updates and for connecting a control panel. | Audiomixer: 6 inputs x 2 channel mixer. Channel-by-channel preset for on or off audio-follow-video as well as separate gain control for each channel. Level and peak level metering. Plus new Fairlight audio functions: Compressor, gate, limiter, 6-band parametric EQ with main gain control. Analog input: Unbalanced stereo. Delay analog input: up to 8 Frames. Input impedance: 1,8 k Maximum input level: +6 dBV Power for connected microphones: Available on both 3.5mm minijacks. |
Norms | Features |
HD video standards for input: 720p/50; 720p/59,94; 720p/60 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60 1080i/50; 1080i/59,94; 1080i/60. HD video standards for output: 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60. Video standards for streaming: 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60. Video sampling frequency: 4:2:2 YUV Color accuracy: 10 Bit Color spaces: Rec.709 HDMI input resolution from computers: 1280 x 720p 50Hz; 59,94Hz und 60Hz. 1920 x 1080p 23,98; 24; 25; 29,97; 30; 50, 59,94 und 60Hz 1920 x 1080i 50; 59,94Hz und 60Hz. Color space conversion: Hardware-based in real time. | Upstream-Keyer: 1 Downstream-Keyer: 1 Advanced Chroma Keyer: 1 Linear/Luma-Keyer: 2 Transition keyer: only DVE Total number of levels: 5 Sample generators: 1 Color generators: 2 DVE with borders and shadowing: 1 Interface: Screen resolution of at least 1366px x 768px. |
Streaming | Recording |
Direct streaming: The ATEM Mini Pro supports direct live streaming via Ethernet using Real Time Messaging Protocol (RTMP). | Direct recording: 1 Generation 1 USB Type C 3.1 port for direct recording of H.264 files with AAC audio in MP4 format to external storage media in the ATEM video standard. Storage medium format: Supports media formatted in ExFAT (Windows/Mac) or HFS+ file systems. |
Multi View Monitoring | Media Player |
Multiview-Monitoring: 1 x 10 views including left and right configurable program/preview display, 4 HDMI inputs, media player, streaming status, recording status and audio level meters. Multiview-Videonorm: HD | Media Player: 1 Channels: Fill-and-key for any media player. Media Pool capacity for still images: 20 with Fill-and-Key. Media Pool Still Image Formats: PNG, TGA, BMP, GIF, JPEG und TIFF. |
Benefit from special offers and favourable prices for the rental of event equipment.
Blackmagic ATEM Mini Pro
The Blackmagic ATEM Mini Pro offers all the features of the ATEM Mini model and much more. With the Pro model, you can record directly record to USB drives in H.264 format, stream directly to YouTube Live over Ethernet, and more. It has a multiviewer with displays for four cameras, preview and program and for the status of recording, streaming and audio.
Blackmagic Studio Camera 4K Plus
The Blackmagic Studio Camera 4K Plus was specifically designed to be the optimal camera for the ATEM Mini. The concept offers all the features of a broadcast camera, but the expensive broadcast connectors have been replaced with a less expensive HDMI version.
The video material reaches the ATEM Mini via the powerful HDMI output. In parallel, the signals for camera control, tally and remote trigger recording are routed to the camera via this output. This means they can be set up quickly for any project.
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- All the features of a broadcast camera.
- Effective sensor size 17.78 x 10 mm.
- Framerate: 23,98, 24, 25, 29,97, 30, 50, 59,94, und 60 fps.
- Display: 7" 1920 x 1200 Pixel Touchscreen
- Rotary control: Brightness Contrast Peakink
- Stereomicrophone integrated.
- Mono speaker integrated.
- Color Corrector: DaVinci YRGB.
- Recording resolution: 4k
- Resolution stream: 4k
- Camera remote control via HDMI.
- Dimensions: 273.6 x 169.7 x 167.3
- Weight: 1.38 kg + 526 g (with tripod mount installed).
- Mounting option: 2x 1/4 inch tripod thread 1x 3/8 inch tripod thread
Blackmagic ATEM Mini Extreme
Connections | Audio |
Total video inputs: 8 Total video outputs: 4 Total Aux Outputs: 2 Total audio inputs: 2 x 3.5mm stereo mini jacks. Total audio outputs: 1 x 3.5mm stereo mini jack. HDMI video inputs: 8 HDMI type A, 10-bit HD, switchable. 2 embedded audio channels. Video inputs with resync: On all 8 HDMI inputs. Frame rate and format converter: On all 8 HDMI inputs. HDMI program outputs: 2 Ethernet: Ethernet supports 10/100/1000BaseT for live streaming, software control, software updates and to connect a control panel directly or via a network connection. Computer interface: 2 Generation 1 USB Type C 3.1 ports for recording to external hard drives as well as webcam output, software control, software updates, and for connecting a control panel. | Audiomixer: 11 inputs x 2 channel mixer. Channel-by-channel preset for audio-follow-video on or off, and separate gain control for each channel. Level and peak level metering. Plus new Fairlight audio functions: Compressor, Gate, Limiter, 6-band parametric EQ with main gain control. Analog input: Unbalanced stereo Delay analog input: up to 8 Frames. Input impedance: 1,8 k Maximum input level: +6 dBV Power for connected microphones: Available on both 3.5mm minijacks. |
Norms | Characteristics |
HD video standards for input: 720p/50; 720p/59,94; 720p/60 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60 1080i/50; 1080i/59,94; 1080i/60. HD video standards for output: 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60. Video standards for streaming: 1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60. Video sampling frequency: 4:2:2 YUV Color accuracy: 10 Bit Color spaces: Rec.709 HDMI input resolution from computers: 1280 x 720p 50Hz; 59,94Hz und 60Hz. 1920 x 1080p 23,98; 24; 25; 29,97; 30; 50, 59,94 und 60Hz. 1920 x 1080i 50; 59,94Hz und 60Hz. Color Space Conversion: Hardware based in real time. | Upstream-Keyer: 1 Downstream-Keyer: 1 Advanced Chroma Keyer: 1 Linear/Luma-Keyer: 2 Transition keyer: only DVE. Total number of levels: 5 Sample generators: 1 Color generators: 2 DVE with borders and shadows cast: 1 Interface: Screen resolution of at least 1366 x 768. |
Streaming | Recording |
Direct streaming: The ATEM Mini Extreme supports direct live streaming via Ethernet using Real Time Messaging Protocol (RTMP) or via USB-C over a shared mobile Internet connection. | Direct recording of video and audio: The USB-C 3.1 Gen 1 expansion port can be used for direct to external data carriers via the USB-C 3.1 Gen 1 expansion port. Record video: 1 program output for recording an H.264 MP4 file in the set streaming quality and according to ATEM video standard with AAC audio. Storage medium format: Supports disks formatted in ExFAT (Windows/Mac) or HFS+ (Mac) formatted disks. |
Multi View Monitoring | Media Player |
Multiview-Monitoring: Configurable for 16, 13, 10, 7 or 4 views, including program, preview, 8 HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status and audio level meter. Multiview-Videonorm: HD | Media Player: 2 Channels: Fill-and-key for any media player. Capacity: 20 with Fill-and-Key. Media Pool Still Image Formats: PNG, TGA, BMP, GIF, JPEG und TIFF. |
Benefit from special offers and favourable prices for the rental of event equipment.
Blackmagic ATEM Mini Extreme
The ATEM Mini Extreme is a sophisticated mixing mixing console for true professionals. It includes all the features of the ATEM Mini Pro plus an additional 8 HDMI inputs, 2 separate HDMI outputs, 2 USB ports and a headphone jack. In addition, this unit has 4 chromakeys, 6 DVEs for picture-in-picture displays, 2 media players and a multiviewer with up to 16 views.
Puzzlepie Event Technology Zambia Ltd.
12073 Mukula Street
10101 Lusaka, Chudleigh
Call Us
phone: +260 764 677 413
mobile: +260 765 709 620