Yamaha CL5 – Digital Mixing Console – Yamaha CL-Serie

Yamaha CL5 – Digital Mixing Console – Yamaha CL-Serie

(72 mono & 8 stereo input chan­nels | 24x mix bus | 8x matrix bus | Dante).
The long last­ing and prob­a­bly even eter­nal process until com­plete per­fek­tion. And Yama­ha has always man­aged along the way to intro­duce inno­v­a­tive tech­nol­o­gy that sets new stan­dards in the scene. They always bring exact­ly what the expe­ri­enced user needs – name­ly a sig­nif­i­cant increase in per­for­mance in every respect with a famil­iar, all-round coher­ent oper­at­ing concept.

Ben­e­fit from spe­cial offers and favourable prices for the rental of event equipment.

Key features:

• Excel­lent nat­ur­al sound char­ac­ter and also many options to col­or sounds individually.
• Yama­ha’s high­ly acclaimed Cen­tralog­ic con­cept is at the heart of the redesigned user interface.
• The con­sole and i/​O racks com­mu­ni­cate with each oth­er via the Dante net­work audio protocol.
• Sup­port for AES67, Dante Device Lock and Dante Domain Manager.
• Up to eight I/​O racks can be con­nect­ed to each console.
• The 5‑HU Rio3224‑D(2) I/​O unit pro­vides 32 inputs, 16 out­puts, and four AES/​EBU outputs.
• The 3‑HU Rio1608‑D(2) I/​O unit pro­vides 16 inputs and 8 outputs.
• The com­pact 2‑HE I/​O unit Rio1608‑D pro­vides 16 inputs and 8 outputs.
• Three vari­able chan­nel PEQ algo­rithms: Pre­cise, Pro­gres­sive, and Smooth.
• I/​O unit shar­ing mode allows dif­fer­ent con­soles to run the same I/​O unit with full gain compensation.
• Con­ve­nient “Effects Rack” allows simul­ta­ne­ous use of up to 8 effects, select­ed from a group of 46 “Ambi­ence” effects and 8 Insert effects. The vir­tu­al GEQ rack allows the use of graph­ic EQs in the out­put modules.
• Seam­less inte­gra­tion of a remote con­trol option and offline edit­ing using an Apple iPAD or oth­er com­put­er is pos­si­ble.
  Con­trol and mon­i­tor­ing of the Shure ULX‑D wire­less system.
• Pro­vi­sion of net­work redun­dan­cy ensures max­i­mum oper­a­tional reliability.
• All details-faders, knobs, switch­es, indi­ca­tors, dis­plays, etc.-are designed for opti­mal sensing.
• 2‑track record­ing to USB stor­age media.
• Mul­ti­track record­ings can be used for vir­tu­al sound checks when the actor in ques­tion is not on site.
• Three slots for mini-YGDAI cards allow easy I/​O expan­sion and addi­tion­al sig­nal pro­cess­ing functions.
• Lake Pro­cess­ing can be inte­grat­ed via the expan­sion slots.
• Sur­round sound mix­ing and mon­i­tor­ing Input chan­nels: 72 mono, 8 stereo.
• Fad­er con­fig­u­ra­tion: 16 faders left fad­er unit, 8 faders in Cen­tralog­ic sec­tion, 2 faders for mas­ter section.
• Busses: 24 mix bus, 8 matrix bus (input to matrix is possible).
• Dimen­sions (WxHxD): 1.053 x 299 x 667 mm
• Weight: approx. 36,0 Kg
• Oth­er fea­tures:
  Editable chan­nel names and col­ors, user-defined but­tons and knobs, 300 scene data mem­o­ries, input and out­put delays, 16 DCA groups, 5‑in/​5‑out GPI inter­face, numer­ous user key sets, and on-screen help.

Yama­ha’s CL-Dig­i­tal con­soles rep­re­sent a new lev­el of prod­uct devel­op­ment. They have received sev­er­al improve­ments, but still give the user a sense of famil­iar­i­ty. In addi­tion, the con­soles fea­ture pris­tine sound and vir­tu­al­ly unlim­it­ed sig­nal pro­cess­ing capa­bil­i­ties, giv­ing even the most cre­ative musi­cians and sound engi­neers ample room to ful­fill their ideas. The CL-Series brings togeth­er the lead­ing live sound tech­nolo­gies in their most expres­sive yet pro­fes­sion­al form.

A net­work­able mix­ing con­sole sys­tem with unprece­dent­ed scal­a­bil­i­ty, sound qual­i­ty, and flex­i­bil­i­ty of use.